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09:18
Hidden Attacks Part 2
Grandmaster Michael Patrick shows two methods to attack someone when their vision is obscured.
Videos401 Videos
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13:59
Economy of Motion
Grandmaster Michael Patrick demonstrates this player to the game known as Economy of Motion. It will greatly improve your speed with minimal effort and in record time!
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13:48
Additional Combatives Technique Concepts
Grandmaster Michael Patrick demonstrates additional concepts and players (such as spiraling, uprooting, etc.) for the same combatives technique as the three previous videos.
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07:37
Defense Against Upper Body Attack
Phil Peplinski demonstrates a defense against an upper body attack.
1
14:36
Introduction to Handgun Disarms
This is a high-level overview of the application of Players to the Game to Handgun disarms by Grandmaster Michael Patrick.
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06:05
The “Double-Jointed” Individual
How to overcome a supposedly double-jointed" individual by Grandmaster Michael Patrick."
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11:43
Rooting
Grandmaster Michael Patrick discusses the concept of rooting.
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09:26
Striking Series: Ridgehand
In a new series, Grandmaster Michael Patrick will cover the mechanics of proper striking techniques. The first video in the series is on the ridgehand.
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07:08
Striking Series: Chop
This is a continuation of the striking series focused on the chop or shuto strike by Grandmaster Michael Patrick.
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09:55
Striking Series: Palm Heel Strike
This is a continuation of the striking series focused on the palm heel strike by Grandmaster Michael Patrick.
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08:54
Activating Points with Pressure
Grandmaster Michael Patrick demonstrates the subtlies of activating pressure points which are often overlooked, even by experienced Martial Artists.
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08:47
Stop Resisting!
Grandmaster Michael Patrick covers some tips for handling someone resisting a technique, such as an Arm Bar, while using Players to the Game.
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The Double Tap
Grandmaster Michael Patrick borrows from the firearms field the concept of Double Tap and applies it to unarmed combat.
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12:58
The Transmission Medium
Grandmaster Michael Patrick covers why many applications of Players to the Game such as harmonics, waveform, etc., seem to fail and shows how to fix the problem!
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04:30
Structural Locking
Grandmaster Michael Patrick borrows from a childhood trick to show the effect of balance control plus structural / spinal locking.
2
08:37
Quick De-Animation of the Neck
Grandmaster Michael Patrick demonstrates how quickly the neck can be injured. This information is for educational purposes only. Neither Michael Patrick nor the DSI advocate doing this to anyone. Please exercise extreme caution and judgment!
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03:33
Converting a Rear Naked Choke to a Neck Dislocation
Grandmaster Michael Patrick demonstrates how to convert a read naked choke into a potentially lethal or disabling attack! As with the last technique, exercise extreme caution with this one. The pain hits extremely fast and the neck can be severely and permanently injured with this technique. In fact, it can be lethal! This is for educational purposes only!
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04:46
Make It Hurt…Immediately!
Grandmaster Michael Patrick demonstrates the importance of creating pain immediately on contact with a technique that seminar participants often struggle to get right.
2
03:46
The Gooseneck
Grandmaster Michael Patrick demonstrates how to dramatically increase the pain levels of the gooseneck joint lock.
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05:08
2-Finger Come-along Lock
Grandmaster Michael Patrick shows how to create pain on contact with a 2-finger come-along joint lock.
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03:49
The Chicken Wing
Borrowing from Modern Arnis, Grandmaster Michael Patrick examines the chicken wing joint lock.
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02:46
Make it Hurt More: Chicken Wing Revisited
Grandmaster Michael Patrick revisits the Chicken Wing wrist lock to make it hurt even more!
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02:42
Cut Kick
Grandmaster Mike Patrick demonstrates the Cut Kick, which can really cripple the leg!
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11:32
Vibration
Grandmaster Michael Patrick demonstrates the player to the game, vibration and how it is different from harmonics.
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07:46
Harmonics
Grandmaster Michael Patrick demonstrates the principles of the player to the game, harmonics.